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The Influences Project:
David Barringer on Johnny Red

What writers/books most influenced your new novel, Johnny Red?

David Barringer: Don Quixote, definitely. I read that book and realized I could just start writing and not stop, which was key in figuring out how to cross over from short stories to a novel. I carried notebooks with me everywhere. Everything rattling around in my head was fair game for the novel. I realized even stupid stuff could be said by a stupid character (or a smart character saying something stupid). Early on I knew this book was going to be a serial adventure within an overarching narrative. Each chapter would consist of a well-defined event or conflict. This kept the book alive for me, this quasi-picaresque structure, this old structure that Cervantes used for Quixote.

But I also depended on an overall sense, a kind of philosophical intuition, that this was a story of liberation. This is how Ralph Williams, the University of Michigan professor, describes the Bible. I took his class as an undergrad, and my understanding of the Bible comes in large part from his class. So while structuring my novel, I kept in mind two books: the Bible and Don Quixote.

Beyond that, I was conscious of making this a very contemporary novel, and so I also had in mind that I would allow a pastiche of influences as I developed the story, including such folks as Whitman, Nietzsche, Joyce, Flann O'Brien, and Donald Barthelme, writers you'd never otherwise put together. As the book progresses, my style changes, evolves to suit the story where it is, and about 3/4 of the way through, as readers have told me, it gets much easier to read. It becomes contemporary. That was intentional.

As for chickens (the main character is a rooster), I had no prior knowledge per se, and I refused to do any research until I felt that I really needed it to continue imagining the world. I wrote first and hit the books later. I learned about breeds and the history of domestication, the evolution of factory farming, the subcultures of poultry shows and cockfighting, diet and anatomy. I read everything I could to gather literary and religious references to roosters and chickens, everything from Babylonian religion to Ezra Pound's "Cantos." I used the facts to my own ends in building up this world, but I used the research like a kid uses snow to build a fort. A little of this and a little of that, some ice and sticks, pack it down.

But I meant to write a novel about characters, not a guide to poultry, and so while I describe the breeds accurately and the conditions of factory farming accurately, I regarded the facts as starting points. The characters move through this world and respond to it like people do, that is, ambivalently. Some characters follow the rules, some break the rules, and others make their own rules.

Read more about Barringer's Johnny Red here.

The Influences Project:
Katherine Sharpe on Four Hundred Words

What book/writer/publisher/publication has most influenced your own writing and publishing efforts?

Katherine Sharpe: I remember being a teenager and first starting going to local indie rock shows. The culture of the shows and the sense of community really attracted me. I wanted to get involved, but even then I was aware of having zero musical talent. I was good at writing, though, and I fantasized about a world where small, local publishers could do for writing what indie labels had done for rock, where the culture of writing and reading could approximate the culture of music...

Over the past five or six years, I've noticed things trending in the way I dreamed of then. Writing will never be rock 'n' roll, but I'm fascinated by the McSweeney's phenomenon, and its many spin-offs: the books, the tutoring centers, The Believer. Authors have gone on book tours for a long time, but lately I've noticed writing-related tours undertaken with a more celebratory and collaborative spirit, like Found Magazine's tours, or the Projet Mobilivre/Bookmobile Project, whose coordinators pilot an old airstream trailer full of zines and artist books to workshops and other events all over North America. That kind of innovation excites me -- new combinations that make print culture a more immediate and communal experience.

Read the full interview with Sharpe here.

The Influences Project:
Venus Magazine's Amy Schroeder

What publication/writer/publisher has most influenced your own writing and publishing efforts?

Amy Schroeder: I realize now that Sassy magazine has been one of my biggest inspirations. It was one of the first magazines I read, and I remember thinking, at age 12 or so, that I wanted to be like one of the Sassy editors -- they always seemed like they were having so much fun. I also was inspired by Gloria Steinem. I remember writing about Steinem for an assignment in high school and thinking she was so cool for starting Ms. Magazine.

Read the full interview here.

The Influences Project:
Writer Ayun Halliday

What book/writer/publisher has most influenced your own writing and publishing efforts?

Ayun Halliday, author of Job Hopper and publisher of The East Village Inky: Spalding Gray I admired the most for being a performer and writer who examined his foibles in a way that was enormously entertaining, self-mocking but never self-pitying. A long time ago he told Tricycle Magazine that he started performing his autobiographical monologues because he got "sick of waiting for the big infernal machine to make up its mind" about him. Words for every outside-the-mainstream zine publisher to live by.

Read the complete interview here.

The Influences Project: Rachel Kramer Bussel

What book/writer/publisher has most influenced your own writing and publishing efforts?

Writer and Naughty Spanking Editor Rachel Kramer Bussel: It probably won't come as a surprise when I say Tristan Taormino, who's been my boss, mentor, editor and friend. Her writing has opened my mind in so many ways; her turns of phrase and ideas have stayed with me, and I've learned so much from her example of how to write and talk about sex in an honest, open, fun, ethical and feminist way. I highly recommend that everyone read her book True Lust: Adventures in Sex, Porn and Perversion. She also published my very first erotica story "Monica and Me" in Best Lesbian Erotica 2001 and it's such an honor to be a fellow Village Voice columnist alongside her, I can't even tell you. She's been incredibly supportive of me and my writing, and really has changed the way so many people think about sex and opened up people's minds in countless ways. She's a pioneer and an inspiration and a truly wonderful person and really is my favorite writer.

Also Susie Bright, whose influence I can't even begin to quantify. I started reading her work at a time when I certainly didn't agree with most of it, but her spirit and energy and political passion helped me think about sex and porn in many new ways and she continues to educate and influence me. As for a specific book, my friend and mentor Lisa Palac's The Edge of the Bed: How Dirty Pictures Changed My Life showed me that you can go from being an ardently anti-porn feminist to a "do me" feminist (if we need silly labels like that, which I don't necessarily think we do), and opened up a lot of doors in my mind about the possibilities for empowered, political, educated women in the porn field. All of them and so many more I see as part of a movement that's helped foster so much growth and potential when it comes to women writing about sex. They helped set the stage for the popularity of a Carrie Bradshaw, and while I'm a Sex and the City fan, the idea that the biggest problems and issues a sex writer tackles are what pair of Manolos to wear is ludicrous.

The Influences Project:
Photographer Matthew Kraus

What book/photographer/artist has most influenced your own artistic efforts?

Photographer Matthew Kraus, author of Sticker Shock: You know, over the years I have been influenced by so many artists, it would be difficult to pinpoint who I would credit with most influencing my work. But I can say without question that I have picked up more than my fair share of energy and ideas from artists like Frank Lloyd Wright, Richard Avedon, Chip Kidd, Paul Rand, Miles Davis, Jackson Pollack, Kandinsky... The list goes on and on...

The Influences Project:
James Stegall

What book/writer/publisher has most influenced your own publishing efforts?

James Stegall, publisher of So New Media: A guy named Mike Jones at the University of Oregon showed me that with a Mac and a few dedicated people, just about anything print-wise is possible. I'm still using the stuff I learned from the Elixir Magazine crew back in 1996.

I continuously learn new things from the people in this little club of indie publishers, and I am very grateful for their willingness to share and help out however they can. We're all way too busy to be doing this stuff, but we still do it. I think that's cause for hope. I'm definitely looking forward to the coming years.

The Influences Project:
Jackie Corley

What book/writer/publisher has most influenced your own writing/publishing efforts?

Jackie Corley, publisher of Word Riot: I admire Soft Skull Press and Akashic as innovative independent publishers. They've really set the bar for all the littl'n presses -- something to aspire to.

My writing influences are pretty trite I guess, but I'm a simple girl. I like Twain, Hemingway, Flannery O'Connor and Robert Penn Warren. The author who has inspired me the most -- as reader and aspiring writer -- is J.D. Salinger. Yeah, almost every kid has had some sort of religious experience with The Catcher in the Rye, but I think Salinger is vastly underestimated as a short story craftsman. You read Nine Stories and every one of those pieces is structurally brilliant -- not one word wasted. If you study those stories as a writer, you can learn a lot.

The Influences Project:
Keri Smith

What book/writer/artist has most influenced your own artistic efforts?

Author and Illustrator Keri Smith: As I'm sure you have guessed it would be nearly impossible for me to narrow it down to one person, I am the sum of many parts. The short list, May Sarton, Anais Nin, Henry Miller, Linda Montgomery (a teacher from art school), Ross Mendes (another teacher from art school), Charles and Rae Eames, Corita Kent, my grandmother Hannah Irene Legrow, a group of creative women who were my mother's best friends (whom I call the Yaya's), Jefferson Pitcher (my husband), Maira Kalman, Tibor Kalman, Beatrice Wood, Gabriel Garcia Marquez, Carl Jung.

The Influences Project:
Laura Brian

What book/writer/publisher has most influenced your own publishing efforts?

Laura Brian, Proprietor of Pinball Publishing: Black Sparrow Press. Grove Press. Early McSweeney's to name a few. I really like Clear Cut Press out of Astoria, Oregon, and J & L illustrated, partially because of their exquisite production values. Have you ever seen the book A Secret Location on the Lower East Side? It chronicles the adventures of underground publishing in the US from 1960-1980. Every project in that book is an inspiration in some way--From City Lights to Fuck You: a Magazine of the Arts. I basically get excited every time I go to Reading Frenzy (small press bookstore in Portland) or look online at buyolympia.com. People are inherently creative, and it is very reassuring to see that force at work in the small press community. [12/6/04]

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